Concept
Work
Concept
Work
Concept
Work
A selection of self-initiated films — made to explore ideas, test creative workflows and show what's possible from concept to screen. This work is not commissioned. It's shared privately with you, and not intended for redistribution.
A selection of self-initiated films — made to explore ideas, test creative workflows and show what's possible from concept to screen. This work is not commissioned. It's shared privately with you, and not intended for redistribution.
A selection of self-initiated films — made to explore ideas, test creative workflows and show what's possible from concept to screen. This work is not commissioned. It's shared privately with you, and not intended for redistribution.
//PROCESS
//PROCESS
Most AI-generated content looks like AI-generated content. That's the problem I'm trying to solve. My workflow starts where most stop — with the generated image or clip as a raw file, not a finished result. The same way a photographer hands off a RAW to post, I treat AI output as source material that needs to be worked. Composited, graded, timed, scored. The tools change, the discipline doesn't.
In practice that means: ideas and scene structure developed in Claude, stills generated in Nano Banana, GPT Image or similar — refined and composited in Photoshop and Lightroom. Storyboards built from keyframes — video generated in Kling or Seedance — upscaled in Topaz. Edited and graded in After Effects, music composed in Suno, voiceover produced in ElevenLabs.
What you're looking at here are rough concepts, not finished productions. The purpose is to show thinking and process — how an idea moves from text to image to motion. Consider these sketches, made at speed, with real tools.
Most AI-generated content looks like AI-generated content. That's the problem I'm trying to solve. My workflow starts where most stop — with the generated image or clip as a raw file, not a finished result. The same way a photographer hands off a RAW to post, I treat AI output as source material that needs to be worked. Composited, graded, timed, scored. The tools change, the discipline doesn't.
In practice that means: ideas and scene structure developed in Claude, stills generated in Nano Banana, GPT Image or similar — refined and composited in Photoshop and Lightroom. Storyboards built from keyframes — video generated in Kling or Seedance — upscaled in Topaz. Edited and graded in After Effects, music composed in Suno, voiceover produced in ElevenLabs.
What you're looking at here are rough concepts, not finished productions. The purpose is to show thinking and process — how an idea moves from text to image to motion. Consider these sketches, made at speed, with real tools.
Most AI-generated content looks like AI-generated content. That's the problem I'm trying to solve. My workflow starts where most stop — with the generated image or clip as a raw file, not a finished result. The same way a photographer hands off a RAW to post, I treat AI output as source material that needs to be worked. Composited, graded, timed, scored. The tools change, the discipline doesn't.
In practice that means: ideas and scene structure developed in Claude, stills generated in Nano Banana, GPT Image or similar — refined and composited in Photoshop and Lightroom. Storyboards built from keyframes — video generated in Kling or Seedance — upscaled in Topaz. Edited and graded in After Effects, music composed in Suno, voiceover produced in ElevenLabs.
What you're looking at here are rough concepts, not finished productions. The purpose is to show thinking and process — how an idea moves from text to image to motion. Consider these sketches, made at speed, with real tools.
DRIVE WITHOUT LIMITS
DRIVE WITHOUT LIMITS
DRIVE WITHOUT LIMITS
AI VISUALIZATION
AI VISUALIZATION
MOTION GRAPHIC
MOTION GRAPHIC
Scope: Spec commercial for a Scandinavian electric performance vehicle. Nordic nature to international city. Stills-to-motion workflow.
FOSSIL NATIONAL BANK
FOSSIL NATIONAL BANK
FOSSIL NATIONAL BANK
AI VISUALIZATION
AI VISUALIZATION
MOTION GRAPHIC
MOTION GRAPHIC
Scope: Deadpan brand satire for a challenger bank. Character-driven concept.
Scope: Deadpan brand satire for a challenger bank.
Character-driven concept.
Scope: Deadpan brand satire for a challenger bank. Character-driven concept.
SPLIT SECOND
SPLIT SECOND
SPLIT SECOND
AI VISUALIZATION
AI VISUALIZATION
MOTION GRAPHIC
MOTION GRAPHIC
Scope: Peer-to-peer payment film for a Nordic fintech brand. Stills-to-motion workflow.
Scope: Peer-to-peer payment film for a Nordic fintech brand.
Stills-to-motion workflow.
Scope: Peer-to-peer payment film for a Nordic fintech brand. Stills-to-motion workflow.
BORDERLESS
BORDERLESS
BORDERLESS
AI VISUALIZATION
AI VISUALIZATION
MOTION GRAPHIC
MOTION GRAPHIC
Scope: Cross-border payment film for a fintech brand. Light-as-motif narrative.
Scope: Cross-border payment film for a fintech brand. Light-as-motif narrative.
WELCOME TO SWEDEN
WELCOME TO SWEDEN
WELCOME TO SWEDEN
AI VISUALIZATION
AI VISUALIZATION
MOTION GRAPHIC
MOTION GRAPHIC
Scope: Seasonal journey film for Visit Sweden. Light as narrative thread across four seasons.
Scope: Seasonal journey film for Visit Sweden. Light as narrative thread across four seasons.
THE PERFECT SWIRL
THE PERFECT SWIRL
THE PERFECT SWIRL
AI VISUALIZATION
AI VISUALIZATION
MOTION GRAPHIC
MOTION GRAPHIC
Scope: Hero product film for a dessert brand. Slow-motion macro, single-take aesthetic.
Scope: Hero product film for a dessert brand. Slow-motion macro, single-take aesthetic.
Don't be a stranger
Don't be a stranger
Don't be a stranger
Get in
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Available for freelance
projects and collaborations.
Available for freelance
projects and collaborations.
Available for freelance
projects and collaborations.
Advolution — Creative Studio
Advolution — Creative Studio
Advolution — Creative Studio
+46 700 44 49 85
+46 700 44 49 85